Percussion | Keyboards | Strings | Winds | Mixed Ensembles | Electronic |
Electronic Music
Work No. | Year | Title | ||
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40 | 2023 | Descent marimba, kalimba, and live electronics |
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35 | 2023 | Bitterness Is Best Declined as a Companion controlled improvisation using additive synthesis with field recordings |
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32 | 2023 | What of an Ocean Without Waves? music after an exhibition of work by Gözde Mimiko Türkkan |
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31 | 2022 | Kawanakajima for vibraphone and electronic music (4 layers) |
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30 | 2022 | Jashiin plays Samuel Clay Birmaher – Converted Melodies extended electronic transcriptions of solo recorder music by Samuel Clay Birmaher |
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29 | 2022 | Inside, Pt. 2 improvised electronic music, combination of subtractive and FM synthesis |
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28 | 2021 | Three Variations on a Rainbow Bridge template for improvisation, for synthesizer (1 performer) |
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16–27 | 2021 | Engulfed improvised electronic music, 12 tracks |
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2020 | A Walk Through Dark Places: A Photographic Record component tracks from AWTDP EP compiled for its 5-year anniversary |
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15 | 2019 | Shadow Canon a kind of an FX canon with real-time improvised manipulation of FX parameters |
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14 | 2015 | Piece for Electronic Instrument(s) graphic/collage score for any electronic instrument(s) |
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13 | 2015 | Gum Catalog outtake from AWTDP EP, counterpart to Sharpless Catalog (with spikes) |
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8–11 | 2015 | A Walk Through Dark Places EP noise music, 5 tracks |
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7 | 2014 | Recording2 22 ADRAR XXX+rev improvisation, physical modelling synthesis |
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1–6 | 2007 | Surrender OST soundtrack for an unfinished film, 6 tracks |
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Artist Statement
jashiin@jashiin.com